Another incredibly simple song; similar in many ways to Valetine Heart opening with a three or four cords repeating unaccompanied on piano with Aimee’s voice ringing clearly over the top. Yet despite the similarities this song takes me in another direction. Where Valentine Heart pushes me deeper into the fantasy and encourages a rose tinted view of the world, this song pulls me out, like smelling salts to the unconscious; Wise Up slaps me around the face and forces me to look around me. Pulling my head from the sand… “No, it's not going to stop, so just...give up”
Ani Difranco - You Had Time
how can I go home
with nothing to say
I know you're going to look at me that way
and say what did you do out there
and what did you decide
you said you needed time
and you had time
As I write this I’m starting to see themes; strong female vocals, strong piano, clear, uncluttered. This song is no exception; starting with a breathtakingly beautiful piano solo which mesmerises me and full two and half minutes before any lyrics are sung. Where the others were simple, this is anything but; the song evolves, slowly emerging into its final form taking the shape slowly almost randomly, discordantly, distracted, stumbling and unsure. Which, to my untrained ear is finally mirrored by the lyrics, lovers; confused, uncertain; I can find almost every doubt from every relationship in this song.
Cruiser - Red House Painters
So drive down
Where my room's lit up all night
I've been so lonely in this bed
It's good to sleep with you instead
It's good to talk all night instead
Morning pours the ocean deep
Into the hollow of my sleep
But the ocean can't be mine
Your perfection can't be mine
At over eight minutes long; this song as its name suggests cruises casually along, again fairly simple but with a raw and low production sort of quality, full of fingers sliding on strings, short draws of breath and even the occasional cough or sniff. All these elements, combined with effortless guitar work and an easy laidback singing style provide a completely natural and honest overtone to the song. You feel it in his voice, he loved her, he lovers her still, she is unique, exotic, erotic… but ultimately it didn’t work out. They separate and he leaves, it hurts but beyond it all this song fills me with joy and hope.
Gorecki - Symphony No. 3
I’m not a huge classical music fan, I only own a handful of CD’s and honestly I really need to be a rare mood to dust them out and relax. However, this is one piece of music that never fails to send shivers down my spine. When I close my eyes, I find myself transported to where I first heard it. Staying at a friend’s house in South Africa, a huge lightning storm had blown out the electrics in the house, so we dug out old battery powered ghetto blaster and the first tape to hand. I sat in the bath, the house lit only by candles and frequent flashes of lighting, the storm rolled on; the drumming of rain on the tin roof only broken by the howling of dogs and long rumbled of thunder. And through all that, a haunting voice of soprano Dawn Upshaw; sings a lament of such sorrowful beauty that I am chilled to the bone, sitting in a piping hot bath.

I see her again, running to catch the bus, all lovely, lithe limbs and blonde tresses. And here begins the usual spiral of thoughts tinged with cynicism...okay so she's a stunner, I bet she's a meanie, bet she's shallow and arrogant, bet her friends are fair weather, bet she's rude and selfish and uses her looks to get what she wants, bet she doesn't know the meaning of rejection, or failure. I'm utterly staggered to see that she's perfectly polite as she lets someone in front of her, and thanks the bus driver.
I believe that beauty is subjective. Personally, I never found Brad Pitt attractive *gasp* and my idea of a beautiful woman is Helena Christensen but I know that some people find her not so attractive. For Chrissake, screen goddess Uma Thurman suffers from Body dysmorphic disorder.
I believe that personality can concentrate or dilute a person's outward beauty. All of my friends are beautiful to me, and as the years go on and I see more and more evidence of their kind hearts, they become more so. Likewise, when I was a teenager, a couple of so-called friends (stunning girls who would turn grown men's heads as they sashayed down the street), burned me and let me down and when I've bumped into them years later, their appearance has dulled, uglified.
I believe that experiences make you who you are, and my fear of beauty is intrinsically tangled up in my adolescent past.
The younger, less jaded me always used to believe that I would rather be plain looking but a good, kind person. That I was happy the way I am. This older, more worn me thinks that, every now and then, if only for a day, I'd love to be tall and slim and beautiful, to see what it's like, to see if life is somehow different.
I realise as I get older that my own prejudice against beautiful people is borne of a deep seated conviction that I myself am not beautiful. Call it sour grapes, call it jealousy, call it what you will. At least now I can be honest about it. Who knows, now that I know what it is, maybe I'll even
cure myself of it?

1) Men passing by, checking me up and down whilst saying "Baby I luuuurrrve you"
2) Men passing by (this one's Nepal based) pursing their lips and making an odd 'chuh chuh chuh chuch' noise
3) Man in white van, driving past me and shouting "Yeah baby" reminiscent of Austin Powers but in a slightly more lecherous manner
4) Man in club repeatedly stroking my head and squeezing my head, even after several rebuttals from me
Am I missing something here? Has there been some sort of shift in evolution and mating rituals in homo sapiens that I wasn't aware of? Am I supposed to find this sort of behaviour attractive, and subsequently fall at these men's feet in a swoon whilst screaming "take me, I'm yours forever, do with me what you will."
?????

